Sunday, July 1, 2018

Janelle Monáe Loves Me

My husband and I were so excited to see Janelle Monáe in concert last night that we dyed our hair pink in honor of her song "Pynk." On the way to the show, I joked that if she didn't specifically pick me out from the crowd and tell me she likes my hair, I'd be offended. Spoiler alert: She didn't call out me or my hair or, as far as I was aware, even notice me, but she created a concert experience so perfectly tailored to my tastes that it felt as if I'd been singled out.

Obviously the reason I went to the concert is that I like her music, and her performance in that regard did not disappoint. She performed every single song from her newest album, Dirty Computer, and several of her older hits like "Tightrope" and "Q.U.E.E.N.," and delivered beautiful vocals filled with sincere passion on each song. Whether singing the warm, fuzzy melodies of "Pynk" or rapping the hard truths of "Django Jane," her delivery was virtually flawless. Her band, likewise, is made up of talented live performers in their own right. I've heard from friends who were frustrated by the poor acoustics of the venue, with the extreme volumes interacting badly with the small space, but thankfully I'm an old man who can't tolerate concert volumes in even the best of acoustic situations, so I go prepared with earplugs and they served me well last night.

Another of the things I love about Janelle Monáe is that she is an extraordinarily talented dancer, which makes her music videos delightful to watch. Last night I was so caught up in the music that I kept on forgetting about this other talent of hers. Then she and her backup dancers would do something amazing, and each time it was like discovering this thing I love about her all over again. Nowhere was this more pronounced for me than in her performance of "Make Me Feel," which included an extended instrumental intro accompanied by a mesmerizing solo dance routine. My friend David captured part of that enthralling routine on video:

Speaking of things that make Janelle Monáe's music videos awesome, I would be remiss if I didn't mention her sense of style. She is always dressed in costumes that are uniquely her and surrounded by sets that complement her look perfectly, all comprised of bold color palettes that I could stare at for hours. Her live performance lived up to this high standard, with each costume and set chosen carefully to match the song. When her attendants dressed her in robes of royalty as they brought out her throne for "Django Jane," it felt like watching a queen being crowned.

The way Monáe presents herself as royalty--equal parts self-love, confidence, and "fuck you" to anyone who would think less of her because she is a queer black woman--is inspiring. 

Another thing I love about Janelle Monáe is that she is an album artist. Many albums are simply a collection of songs, and there's nothing wrong with that--I love a great song--but I especially love when musical artists release albums that tell a story when experienced as a collective, larger piece of art. Monáe's ArchAndroid did that for me, and she did it again with Dirty Computer; both are albums where I enjoy having the individual songs come up in my random mix of music I like, but I will also play the album from start to finish in order to enjoy that experience. When the concert started last night with the album intro, "Dirty Computer," playing as she came on stage, and then she proceeded to perform the next four songs off the album in order, I thought, "Wow, that's a fun way to do a concert, but will she play any of her old stuff?" Then she took a break from the album to play some older songs, then came back to the current album, and back and forth for the rest of the concert. She effectively performed the entire album with commercial breaks for previous hits, and in album order with the exception of the hit single "Make Me Feel" and "I Got the Juice," which appear together toward the middle of the album but she pushed closer to the end for the concert. I have never admired the order of a concert set list as much as I did last night.

It's common at concerts to see audience members singing along, and that was especially pronounced last night--it seemed like everybody there knew every word to every song. This fact made me self-conscious of how bad I am at remembering the lyrics even to songs I listen to over and over. As I awkardly sang along with half of every line last night, though, I realized this is just how I enjoy music. I'm not great at memorizing words, but I love lyrics for their meaning; I appreciate well-executed form, but I thrive on meaningful, thought-provoking content. This is, of course, one of the things I love about Janelle Monáe--the ideas so powerfully expressed in her lyrics--and the concert did not disappoint in this regard. From the line "I am not the American nightmare / I am the American dream" in the first song she performed, "Crazy Classic Life," to "This is a cold war / You better know what you're fighting for" in "Cold War" to "Hold on, don't fight your war alone" in the final song of the evening, "Americans," Monáe had me thinking about what it means to be an American and what it means to be part of a society of deeply flawed people trying to make the world better despite our frequent screw-ups.

Finally, what I love most about Janelle Monáe is that the core of her message is about love--love for self and love for others. She demonstrated that love throughout the concert, but never more so than during "I Like That," an anthem to self-love and individuality, when she paused to scan across the audience and call out things she liked about specific people. "Ooh, I like your bow tie." "I like your outfit." "I like your hair." Sadly, she did not look at me and tell me she liked my pynk hair, but the message of love and acceptance was received all the same. Thank you, Janelle Monáe.

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